I went from reading around 30 books a month in two languages to hardly reading any, because I lapsed into the ‘I’m gonna re-read the hundreds (if not multiple thousands) of fanfics I have on my Kindle again’ phase.

(And I have a weird relationship with fan fiction, where I have a couple of specific fandoms, two which are based on TV shows I’ve never watched a single episode of (and not going to), and another one is Star Trek, and mostly skip the porn and any lengthy angsty staff, and focus on fluff-and-comfort and weird comedy AUs.)

Problem is, there is only one kind of books I want to read, and it often feels like it’s the opposite of what ‘publishers’ and ‘public’ believe constitutes a good book.

In fact, the only books I would say fitted into the ‘what I need from a book’ the closest were self-published books with a relatively small fan base.

And what I need are the books that make my life better, that bring something positive into it. Books that are not based on the nauseatingly popular ‘angst is cool’ and ‘death, gore, suffering, and pain are even cooler’ presumptions.

I went through the phase when I read all kinds of books the world has to offer—the classics, the dead white guy hits, the award winners, the problem works—when I was a teenager. I had two good English Lit teachers in high school who also chose books meant to teach you something (Color Purple, Black Rain, 100 Years of Solitude, etc). I also did my postgrad thesis on women’s literature, including people like Tony Morrison, Joan Didion, Dorothy Alison, Loise Erdrich, and others.

And the thing is, that was more than enough. I don’t need any books that try to teach me about monsters in my life anymore. The things people call ‘profound’ and ‘raw’ and ‘deeply influential’ and ‘unsettling commentary’, with all the ‘exploring the challenges ans struggles’. I don’t need books that focus on the portrayal of horrors, pain, human problems, conflict, hatred, prejudice, drama, and all the other negative things that for some reason are considered to be a must-have for a book to be a bestseller. It’s like people think that a story is only worth telling if there’s pain or sadness in it. Like ‘good’ is not enough to be interesting.

I need books that banish and eradicate horrors, pain, human problems, conflict, hatred, prejudice, drama. Books that focus on good, happiness, love, and comfort.

And honestly, I don’t get why they are so hard to find. Why people are so obsessed with angst and drama that they think a book cannot be considered a book unless it has some hurtful drama in it.

It’s why I binge-read so many weird romances in the last year, because they felt like the closest you could come to literature made for fun and comfort, but then even the silliest comedy-romance books (in any genre) would have some ‘weird unnecessary drama’ phase around 70% into the story, like they all went through the same cookie cutter. Like someone told all writers and publishers that a book won’t sell if you don’t put some unnecessary angst and stupid drama into exact same spot in every book. And I’ve literally read hundreds of them, and found out that about 90% follow the exact same pattern.

Right now, I believe that books that don’t make my life better—and I don’t mean some “educational” and “how-to” crap, I mean the books that make me feel better, that bring me positive emotions, that make me smile, that take me somewhere where I don’t need to deal with angst, pain, and drama—are just not worth my time anymore. Why would I willingly spend my time on something that bring me negative emotions? Why do other people do?

So once again I find myself too tired of angst and drama to open any of the 100smth unread books I have piled in my apartment, and am hiding in a ton of fluffy fanfiction instead.

I’m aware that I’m very very late on this train, and by ‘late’ I mean the train has probably come and gone so long ago most people already forgot there was a train, but

I’m watching the US Bachelor for the very first time in my life, because I caught it by accident on the TV, and experiencing this very weird sort of glee…because:

I really don’t like the guy (like, I’m sure he’s fine, I just wouldn’t want to touch him with a 10ft pole and the more I watch the more I dislike him),

I hate his ideas of ‘dates’ (and it’s kind of amazing how people can do this with straight faces and squeal in delight at all these things. I’m yet to see a single one I would want to participate in even with a person I liked (upd.: well, fine, they finally went horseback riding in the mountains so I guess there was one)),

I don’t get how these women can subject themselves to all this (and in public! on the TV where everyone will see!) and why they behave the way they do… Actually, I think I just don’t get these women at all.

And really, the whole idea of this show, with all it’s falseness and insincerity, the whole ‘I’m gonna have this long ‘romantic’ date, talk about feelings, and make out with this woman…and an hour later I’m gonna do the same and make out with another woman’ and then rinse and repeat about 20 more times? (I do hope he rinses though, because that’s a lot of making out with strangers) And everyone knows it and acts like there’s nothing weird about it?

It’s like watching a fascinating Animal Planet documentary, although I’m actually supposed to be same species with these monkeys.

Also, I don’t think it’s really healthy to keep watching by getting hooked on the feelings of ‘wow, wtf is that/I kinda really hate that’ I get with literally every next thing I see on this show, but here we are.

I think I need to watch the Bachelorette. (which I never knew it existed until yesterday)

I’m sure many people noticed/knew about this all these years, but I just made this discovery for myself for the very first time.

How funnily the world is connected in all the weird places.

That feeling when you have two different book stories developing parallelly in your head, but can’t write either. And that’s on good days. On bad days, there are five of them. Plus-minus.

I’ve been avoiding using Uber Eats and instead relying on the more organisation-based food delivery services because there’s a certain comfort in the illusion of the ‘professionalism’ they afford. As in, the delivery people are people who do it as a job, and feel a bit more reliable.

I’ve decided to try it, because with this virus business there are now lots of very interesting restaurants to be found in the Uber Eats database that I probably wouldn’t found otherwise.

I tried.

The short version: It got delivered to wrong building. I had to go out and sneak into the next building to pick up a bag in front of some stranger’s door. Since I contacted the support before I found it, the Uber Eats support refunded me full price of the order and added a 500yen(almost $5) coupon. I now feel very uncomfortable, because even though it is a correct move on their part, I didn’t want the refund because I still got to eat the food.

The long version: There were some system problems with entering my address—it kept not showing and I tried re-entering in couple of different ways. In the end I made sure I entered all important information somewhere.

I also selected the option to have the food left in front of my door. Which is logical in the current times, but might have been a big mistake.

Our building has locked entrance, so unless the delivery person is let in by someone else entering/exiting, he would have to ring my room to be let in. I expected him to ring me anyway.

Instead, while I was waiting for the doorbell, suddenly I received the notification that the order was delivered and done. I went to look outside my door: nothing. I got my shoes and went down to see if he could’ve left in the lobby: nothing. I looked around the floor to see if it’s in from of any other doors: nothing.

I was already beginning to suspect what happened, because, unfortunately, there are buildings 1 and 2, with the same name, next to each other, and I live in the building 2. I looked over at the building 1 (because both buildings are in the ’empty square shape’ and you can see through), but I couldn’t see all the doors on the floor to say for sure. Besides, with exception for some taxi drivers, no delivery person ever made this mistake, as far as I know, because the tenants’ names are displayed on the rooms and mail boxes.

I contacted the UberEats support saying that the order wasn’t delivered. I then saw that the driver had uploaded the photo of the delivery and realised that he really must’ve delivered it to the next building and just left it in front of the door. I walked to the next building imagining if I’ll have to ring the person who lives in the room with the same number as I and ask them if they have food in front of their door. However, luckily for me, the building 1 doesn’t have the same locked entrance as we do, so I was able to just walk into the building, take the elevator to the same floor, and find the paper bag with my food in front of stranger’s door.

I brought the food home and messaged the support again, saying that I have solved the problem and found the food myself in the wrong building. I sent in the ‘evaluation’, and while I put the honest negative for the delivery to a wrong place, I still added a tip…well, because he did actually deliver and uploaded the picture of it.

A few minutes later the support wrote me back that they have refunded the full price of the order, and added a complementary coupon, and are very sorry for all the inconvenience. They ‘looked into the situation’ and found out that the delivery guy completed the delivery without the following proper instructions, and while they won’t fire him, they will make sure he won’t be making same mistakes again.

Thing is, this whole situation left me very uncomfortable. While, logically speaking, they are probably right to do it this way from the business point of view, because he did make a mistake of not making sure he delivered to the correct address and not contacting me (I don’t know if he ever rang the door bell in the other building)… I really would rather not get refund since I did get the food and he did actually deliver it, even if he made a mistake.

I may have a habit of glorifying people a bit too much when I don’t know them. As in, in my head, I actually imagine someone who tried to earnestly do the fob, believing he’d done everything correctly, and then receiving contact from the company saying that I told them he didn’t deliver the stuff and he won’t get paid because he made a mistake. And I don’t like it.

I hope at least the restaurant won’t have to be involved (not that I was completely satisfied with their delivery either, though) and UberEats will cover the price, instead of taking it out either of the restaurant or the driver.

The reason I wrote this long rambly post is that the feelings I have on this issue don’t really match with what I feel like I should be feeling.

What I probably should be feeling is relief that I don’t need to pay for this overpriced and stressful meal. The delivery person made a mistake. The mistake was avoidable, but he didn’t take steps to avoid it.

What I actually feel, is guilt for involving all these people (the restaurant, the delivery person, the UberEats people in general) and making their day worse by deciding to order food I didn’t really need that much. It feels like it wasn’t even 100% the delivery guy’s fault, because of the whole situation with two buildings and fact that I didn’t want to interact with people and requested the ‘leave in front of the door’ delivery. It also feels like it was me who should’ve taken more steps to ensure there was less margin for error for other people.

I also wasted 3 hours of my Sunday on processing this issue and it feels like a fail all way through.

…If I ever use Uber Eats again, I’ll have to remember to add a ‘make sure it’s the correct building’ to the notes.

After taking a nice quiet 40-minute walk home in icy wind without a scarf, also getting lost a couple of times, I feel I won’t even need corona to get myself a nice two-week vacation being sick at home.

When it comes to doctors and therapists… I can’t help to feel like I’m screaming into a void. I’m constantly trying to send an SOS. Tell people that something is wrong. That walking around with daily headaches, chronic exhaustion, thinking ‘I’m so fucking tired…’ from morning to evening every single day without exception, feeling like my consciousness is slipping away multiple times during any day, having to force myself to move because I keep freezing in space, getting lost in time, forgetting what day it is, and especially what day of the week it is really not right… And yet not a single medical professional I’ve met has taken it seriously enough to actually look for WHY, instead of trying out a collection of medications, and then shrugging me off when I tell them none of those work.

Then, I face a situation where, having a very stressful and anxiety-filled week, I can’t even rely on any tranquillisers because I’m too groggy and scatterbrained as I it is, and I’m too afraid to add any chemicals (or not so chemicals) in the mix that can make me feel even less ‘present’ in the reality.

Instead of tranquillisers, today I have to rely on food, therapeutic activity of copying books by hand, and first seasons of Great British Bake Off.

Me: planning things to do on Saturday, what to watch, what to watch after that, clean while watching, take out the trash, maybe play some DSIII sometime before evening, try to write some more for that story I’ve been focusing on last couple of weeks…

Reality: read a random paragraph of a random book I picked up in the middle of cleaning, get and idea, sit down for 3 hours and write 3000 words for a completely new story I didn’t even see coming.

I have honestly lost count of the ‘new story sketches’ with main characters and setting outlined I have ‘saved for later’ in my Scrivener projects…

All I could think by the end of the ‘A Star is Born’ is why didn’t we see someone blow that fking manager’s brains out by the end of the movie?

I already wanted to do it midway through the movie.

It really needed to be done.

I don’t like it.

had an anxiety attack because I painted my nails.

Not even an anxiety inducing colour.

I don’t even guess anymore

Every time I see a person on tv being portrayed as having a hangover—nursing a headache, wearing sunglasses, grimacing because everything is too bright and too noisy, and moving too fast is rewarded with spikes of nausea—I get this disturbing feeling and just want to say…
… … But that’s exactly how I feel every day (that I have to go outside)?…
And without any drinking.

Oh Kojima-san…

Coming out on the stage in gamescofm discussing how Norman Reedus’s dick can be used as a weapon and a tool to connect the fractured world.

Also,

he kind of went from being mysterious and showing stuff that was ambiguous and impossible to interpret, to showing and saying too much about spoilery character settings all at once.

And summer ‘vacation’ is gone.

With regards to the to do list, I’ve managed only the web page design update. Mostly.

Also, got back to OmmWriter in an attempt to rewrite the Prologue to the main ‘Chronicles’ series…and realised that, since it’s about to go over 10,000 words, I probably shouldn’t really be calling it just a ‘prologue’ anymore.

(Also, found out that I own at least 6 pairs of shoes I have never worn more than once…likely bought in a wrong size because I wasn’t able to handle being in the store. Trying to get rid of them using Merucari app now. In order to prevent the repeat of this in the future, I do believe I will now mostly only buy shoes using Amazon Wardrobe option (tried once, worked great). Because, apparently, unless we are talking about boots, I can spend 2 hours in a store trying on various shoes just, trying find a pair that will fit and won’t hurt (everything hurts), and still only get something in a wrong size and a skull-crushing and stomach-turning migraine from just being in the store…)

The head-hopping pov is turning very quickly into one of my biggest pet peeves when it comes to writing.

(somewhere between the ‘using foreign languages when you can’t do it without mistakes’ and ‘adding rape for the coolness factor’)

I can’t believe how many writers don’t find not okay… I really think it’s nowhere close to okay, when your pov changes from thoughts of one character to another in the same paragraph. Or even in the next paragraph without a clear text break. Bite me.

Born of Night (The League: Nemesis Rising #1)

Born of Night by Sherrilyn Kenyon

My rating: 1 of 5 stars


For the love of all bookish I don’t understand why are these books so popular. The only reason I went there (commenting on a book’s popularity) is because it was due to this book showing up in all kinds of ‘best’ lists while having a high rating that likely made me order it by mistake, without realizing that when I last tried to read a book by this author I DNFed after first few chapters.

I did not get much further with this one either.
Made it 100 pages in, hoping to catch a glimpse of a reason so many people’ve read this, but decided not to torture myself any further.

Everything about this is awfully cheesy, trashy, and confusing.
With all the head hopping on top.
With all the time and word count spent talking about how hot and sexy everyone is and how much trouble they have being hard for each other all the time of course we can’t spend enough time to actually describe the world around us so that it would make some sense. Ah, but we also have time to mention rape and child murders and abuse, to add to ‘badass’ factor. But making sense of how planets, ships, stations, space travel work in this world? Not nearly important enough than all the sexiness.

In this book, the setting ‘implied’ and one actually presented never seem to match.
The ‘deadly assassins’ hardly act the part. The main male character is a disaster…
Little example: he hides his eyes. Not because they are some strange alien product of his mixed heritage, or because of some gruesome battle scars. But because they’re normal human green eyes that ‘show his beautiful soul’. He lives with a bunch of cats. He walks constantly hard when he is around the female main character. Really. The image of mysterious and aloof deadly assassin, don’t you understand?

The female main character… Her thought pattern is well described by this: ‘You saved me from assassins and are here to guard me because there’s a huge price on my head? You even put shields on my windows so that they wouldn’t shoot my head off? How dare you! You’re fired! Get out of my home!’

I rarely do this, but I’d like to pick up at the few more moments that made me want to bang my head against the nearest wall from the very beginning of the book:
FMC – kidnapped, almost raped, beaten, chained in the middle of compost pile on a ship that was just went through hostile take over. Sees a new person coming for her:

‘Kiara was amazed by the handsomeness of his face.’ 3 seconds later ‘For some reason she couldn’t fathom, she believed him (that he wouldn’t hurt her)


‘And she had to admit there was nothing hotter than a man with that kind of honed physique whose face was totally hidden.

I’m sorry. What? Is this some kind of ‘keep a bag over your face’ kink?
Just…what?

MMC – Professional assassin, one of the best out there, built up to be this powerful, mysterious, cold man with dark past and iron moral principles. First time we get his POV:

‘His body was so hard it was all he could do not to limp. And to think, he’d mistakenly believed he’d survived real torture in the past.’

Really? He carried a beaten woman out of space trash can where they just killed a few people, and all he can think is that her small breasts in the torn and dirty nightgown are torturing him more that years of child abuse and murder and outrunning a league of professional assassins? REALLY?
In what dimension are we supposed to find this romantic or even okay?

Another classy thought from the main character after she wakes up in a strange place and still thinks she might be held captive:

‘Tall and lean, he was the sexiest thing she’d ever seen in her entire life, and given the hot pieces of cheese employed by her dance company, that said a lot.’

Am I the only one who has problem with writing like this? Really?

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