Born of Night (The League: Nemesis Rising #1)

Born of Night by Sherrilyn Kenyon

My rating: 1 of 5 stars


For the love of all bookish I don’t understand why are these books so popular. The only reason I went there (commenting on a book’s popularity) is because it was due to this book showing up in all kinds of ‘best’ lists while having a high rating that likely made me order it by mistake, without realizing that when I last tried to read a book by this author I DNFed after first few chapters.

I did not get much further with this one either.
Made it 100 pages in, hoping to catch a glimpse of a reason so many people’ve read this, but decided not to torture myself any further.

Everything about this is awfully cheesy, trashy, and confusing.
With all the head hopping on top.
With all the time and word count spent talking about how hot and sexy everyone is and how much trouble they have being hard for each other all the time of course we can’t spend enough time to actually describe the world around us so that it would make some sense. Ah, but we also have time to mention rape and child murders and abuse, to add to ‘badass’ factor. But making sense of how planets, ships, stations, space travel work in this world? Not nearly important enough than all the sexiness.

In this book, the setting ‘implied’ and one actually presented never seem to match.
The ‘deadly assassins’ hardly act the part. The main male character is a disaster…
Little example: he hides his eyes. Not because they are some strange alien product of his mixed heritage, or because of some gruesome battle scars. But because they’re normal human green eyes that ‘show his beautiful soul’. He lives with a bunch of cats. He walks constantly hard when he is around the female main character. Really. The image of mysterious and aloof deadly assassin, don’t you understand?

The female main character… Her thought pattern is well described by this: ‘You saved me from assassins and are here to guard me because there’s a huge price on my head? You even put shields on my windows so that they wouldn’t shoot my head off? How dare you! You’re fired! Get out of my home!’

I rarely do this, but I’d like to pick up at the few more moments that made me want to bang my head against the nearest wall from the very beginning of the book:
FMC – kidnapped, almost raped, beaten, chained in the middle of compost pile on a ship that was just went through hostile take over. Sees a new person coming for her:

‘Kiara was amazed by the handsomeness of his face.’ 3 seconds later ‘For some reason she couldn’t fathom, she believed him (that he wouldn’t hurt her)


‘And she had to admit there was nothing hotter than a man with that kind of honed physique whose face was totally hidden.

I’m sorry. What? Is this some kind of ‘keep a bag over your face’ kink?
Just…what?

MMC – Professional assassin, one of the best out there, built up to be this powerful, mysterious, cold man with dark past and iron moral principles. First time we get his POV:

‘His body was so hard it was all he could do not to limp. And to think, he’d mistakenly believed he’d survived real torture in the past.’

Really? He carried a beaten woman out of space trash can where they just killed a few people, and all he can think is that her small breasts in the torn and dirty nightgown are torturing him more that years of child abuse and murder and outrunning a league of professional assassins? REALLY?
In what dimension are we supposed to find this romantic or even okay?

Another classy thought from the main character after she wakes up in a strange place and still thinks she might be held captive:

‘Tall and lean, he was the sexiest thing she’d ever seen in her entire life, and given the hot pieces of cheese employed by her dance company, that said a lot.’

Am I the only one who has problem with writing like this? Really?

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Love is Blind

Love is Blind by William Boyd

My rating: 1 of 5 stars


Couldn’t do it. DNF.
Yes, yes, the author certainly knows how to use his language, that is a fact. But the content…
It’s boring. It’s unpleasant. It’s full of cliches so thick I was gagging.
I almost quit right after the Part I (which I’d rather call ‘waste of pages irrelevant to the story’, personally), which consisted of an ‘introduction’ featuring a cliche prostitute interlude, a selection of no less cliche ‘random unsavoury side characters’ (completely irrelevant to the story), and the most cliche abusive father figure. Practically every element of this part one was nasty and distasteful, and left a heavy feeling that it existed only to stretch word count while pouring out author’s loathing towards humanity.

It’s a skilfully written account of a life of a man⁠—an average man⁠—who isn’t especially clever, talented, or interesting, who had some things happen to him in professional life, and had a lot of bad luck in his personal life (starting with his birth), and I believe that’s all it is.
If the main character is present there will be a mention of a cigarette on every page. Maybe five cigarettes. And 3 more cliches.
He, of course, also has brilliant ideas and great ambitions, while others exist only to make his life difficult.

I should stop justifying the fact that I couldn’t finish this book.
The real reason is only one—it was unpleasant to read.



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The Secret of Clouds

The Secret of Clouds by Alyson Richman

My rating: 2 of 5 stars


Close to 1.5 stars, 2 only because I managed to make myself finish it (it wasn’t easy).
The publishers and other people who wrote all the comments and praise words on the cover of this book tried very hard to make me believe I was about to read something special and heartfelt. The book didn’t deliver.
The impression I got from this book, is that if I could gather it up and squeeze it in my hand, once I opened my hand only sand and dust would seep through my fingers. There was nothing inside. Perhaps it’s a mean thing to say…
But, imho, a book of contemporary literature like this, which picks and focuses on ordinary lives of a small number of people out of the millions living on this planet, has to either show something you won’t forget, or tell its story using words you won’t forget. This book fails to do either.
The writing is simply weak. The ‘fragmented’ structure of the text can be interesting when it’s used with a good reason, but here it unfortunately serves only a single purpose—to make it easier for readers to get through the text that has no powers to grip their attention otherwise. When a pause/space is inserted where neither POV not the scene have changed, the only reason it is there is to hide the fact that if you reconnect paragraphs in your mind, the flow of text would just be jaw-numbingly boring.
It’s mostly dry listing of every detail in sight.
Predictable reactions spelled out over and over.
Astonishingly stale dialogues.
Some of the sections consist of nothing but 7-10 short sentences beginning with the word ‘I”.
And even when it tries to express something ‘deep’, it somehow just doesn’t sound sincere.
Considering that this is a story of an English teacher with love for books and writing…all I can say is “…Really?”
Overall, the narrative bits mostly left me with a lot of unpleasant aftertaste.
The Ukrainian bits were slightly better on emotional level…if not for all the frustrating details—like the fact that people don’t wear shoes in houses in Ukraine, or how it’s always kielbasa everywhere, even when it’s not, or verb tense switching constantly back and forth. These parts would me marginally better is they made an effort to not be so Americanized. Figuring out kolbasa (not kielbasa), pirozhki (not pierogi), kasha, and what they actually are and their actual uses (as in, no kind of kolbasa would go into hotdogs, and that there’s no such thing as ‘just kasha’), as well as the proper shapes for paskhas, would be a good start.
The disturbing part is that I can’t really tell if the author didn’t have the knowledge, or did have it but chose to not put it in and over-Americanize it for ‘simple readers’ on purpose. Either way, I do wish authors would stop mangling other cultures because they’re either too lazy to do proper research, or, when they do, think they need to ‘localize’ and over-simplify everything for American readers.
Overall, food issues aside, the minds of people living in Ukraine in the last days of the USSR are not represented believably anywhere on these pages. These are just Americans in costumes with Polish kielbasa in hands pretending to act Ukrainian (just as they would be in any Hollywood feature, I suppose).

In terms of story, it’s just…nothing we really haven’t seen before? Picking up a sad story to tell doesn’t magically make it into a good book. Mixing in boring broken relationships makes it even worse. Everything is entirely too predictable, nothing really grips the heart strings. The main character is practically impossible to like. On top of which, most of the side characters feel very bland and empty. “Katya” especially feels like an over-simplified empty shell, where she should have been the core of emotion here.
The cliché doomed relationship of the “and why they were tougher to begin with?” variety, where from the first pages the empty character if the boyfriend is written in completely negative light (with the whole “sully my happiness with his pub breath”), while the replacement is better from every angle in comparison, perfect overall, and is praised with every word and description so much its nothing but ridiculous… Was this a necessary part of this book?

Long story short, even if this could be a good story, it is thoroughly spoiled by being told from a perspective of an mentally immature, unreliable, overly subjective, and too self-centered narrator…in bad prose.

P.S.
I also do believe it is morally wrong for a teacher to actually read the letters “to future selves” she asked her students to write. They should have been private. But then that would have defeated the main point of this book, wouldn’t it?



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A Hunger Like No Other (Immortals After Dark, #2)

A Hunger Like No Other by Kresley Cole

My rating: 1 of 5 stars


I didn’t like the first one, but since this one kept showing up in practically every list and ranking I use to find new books to read, I felt almost obligated to try it.
This one felt somewhat better than the previous one, but still 1.5 legs over the line of “too rapey”. Still too full of hatred and aggression. Too crude. Too preoccupied with material things and symbols of wealth and sex, with ‘sex and violence’ being all these books are really built on. Characters hardly talk to each other, mostly at each other. Everyone hates each other, everyone wants to kill everyone else, and then when they feel a fierce need to also have sex with each other for some ‘supernatural-biological’ reason, the ‘plot’ ensues.
At least I now have ‘tried’ these series and the author enough to have no regrets about parting our ways and not looking back.



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Guilty Pleasures (Anita Blake, Vampire Hunter #1)

Guilty Pleasures by Laurell K. Hamilton

My rating: 2 of 5 stars


First, I’d like to say that there isn’t really anything negative to say about the quality of the book, writing and imagination. It’s a very well-written book.
The problem that I have with this book is that it’s a big gorey mess of malice and misery. I don’t think I’ve seen a single positive thing in the whole book. Rape, murder, manipulation, torture, control and humiliation, and children mixed into all of that. I’m sure there are people to whom it would appeal. I’m not one of them. In the end I had to force myself to finish this book just so that I would see its horrors be over and it wouldn’t haunt me. I also felt like I needed to wash my brain with gentle soap and warm water afterwards.

… It also occurred to me that a lot of people could be mislead by the title in combination with ‘vampire novel’ and buy this thinking it would be another half-silly paranormal romance… they’re in for a nasty surprise.



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