A Hunger Like No Other by Kresley Cole

A Hunger Like No Other (Immortals After Dark, #2)

A Hunger Like No Other by Kresley Cole

My rating: 2 of 5 stars

I didn’t like the first one, but since this one kept showing up in practically every list and ranking I use to find new books to read, I felt almost obligated to try it.
This one felt somewhat better than the previous one, but still 1.5 legs over the line of “too rapey”. Still too full of hatred and aggression. Too crude. Too preoccupied with material things and symbols of wealth and sex, with ‘sex and violence’ being all these books are really built on. Characters hardly talk to each other, mostly at each other. Everyone hates each other, everyone wants to kill everyone else, and then when they feel a fierce need to also have sex with each other for some ‘supernatural-biological’ reason, the ‘plot’ ensues.
At least I now have ‘tried’ these series and the author enough to have no regrets about parting our ways and not looking back.

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Knight by Addison Carmichael

Knight (Sons of the Alpha, #1)

Knight by Addison Carmichael

My rating: 2 of 5 stars

While I expected to like this book enough, black wolf protectors and all, there was a number of issues that just really bothered me:
– Personalities of main characters seem inconsistent and floating. They jump from one kind behavior to another in a way that doesn’t feel natural. The heroine switches from acting like a reasonable young woman kidnapped out of her life and being hostile and suspicions, to suddenly being all accepting and understanding and kind to everyone, to suddenly playing at being the lead detective on a case and having authority, to playing at girlfriends, to cuddling with a person and propositioning them, to shutting them out and down 5 mins later… and on and on. The hero only appears to be better because there is much less text in his POV, but his personality also felt like it flipped over half way through. There’s also this ‘brainless’ disease I’ve seen a number of times before, where characters talk and act but pretend that they have no ability to analyze or comprehend why they are doing something and just exist in denial.
– A tad too much hate towards women. As in, it’s very hard to find a positive female character who is not dead. I half expected for Rachel to turn out to be the killer. Because the remaining female characters were a lying traitor who sold people out for money and an aggressive egocentric bitch who couldn’t take no for an answer. A vivid contrast to a whole collection of attractive males who also all look like they are in their twenties, regardless of their age, and of course like the main character.
– The fact that people kept forgetting and ‘letting be’ the serial murderers they had to catch. The treatment of this part of the plot didn’t seem appropriate, as it was constantly pushed behind something else, as if catching the murders before they killed again was far less important than a whole list of other things. Or at least that was the impression I got.
– While the ‘twist’ conclusion itself was not boring, something happened to writing on the last 20% where it turned jaw-numbingly cheesy and dry. The places that were supposed to make me swoon made me grimace. It’s like suddenly there was something very unsavory about the tone of the book and it spoiled the conclusion. The bare facts of which, again, weren’t actually bad on their own… there was just something about the way it all was presented.

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Clean Sweep by Ilona Andrews

Clean Sweep (Innkeeper Chronicles #1)

Clean Sweep by Ilona Andrews

My rating: 5 of 5 stars

Imaginative, original, addictive. It’s actually sad that it is so short (and that I can’t get the compilation edition in this side of the world). I feel like there could have a been a bit more meat to this.
Loved the idea, even with the vampires (who are a bit like carnivorous violent elves), loved all the references, loved Sean and Beast bonding.
It’a bit like a mix of good urban fantasy with old classic comedic sci-fi, but where where everything can be explained by magic. Can’t wait to get my hands on the next part.
Out of Ilona Andrews’s worlds (and I haven’t read them all yet, but I’ve read the descriptions) this idea might actually be my favorite.

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Blameless by Gail Carriger

Blameless (Parasol Protectorate #3)

Blameless by Gail Carriger

My rating: 3 of 5 stars

Heh. I still maintain my position that the whole ‘I won’t believe this child is mine’ debacle that ended the previous book was a terrible terrible plot decision. Yes, I understand that it was probably necessary to make the heroine go to Italy and learn all the things she needed to learn, but my whole being stands against suiciding the main relationship of the book like that and then downplaying it like it was no big deal, just temper… a very long outburst of temper.
I wished for a while that I was strong enough to simply leave this series behind and not be compelled to continue reading just to get rid of the foul aftertaste the ending of the second book left.
Yet here I am. Thinking I will probably have to pick up at least one more, before I give up.
TBH, the whole preternatural plot line in losing me. I feel like I mostly skipped through Alexia parts, really tuning in only on things happening back in London.
I don’t like that once the main characters got married they spent 90% of book 2 apart, and 98% of book 3 apart. I don’t like that instead of spending time with fun and interesting London characters introduced in the 1st book(though we did at least get some of Professor in this one), we have to follow Alexia and French inventors, interact with fanatic societies and read a lot of degrading language. The world of these books still has elements and characters I’m attracted too, but I just can’t really agree with the directions the story is taking…

The ‘refreshing beverage with a crunchy snack’ was the best part of this book, and it’s sad.

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Dark Days: Semester 1 by Liz Meldon

Dark Days: Semester 1

Dark Days: Semester 1 by Liz Meldon

My rating: 3 of 5 stars

While I thought that the book begun strongly, it soon switched to a format of jumping from one short encounter to another, most of them turning sexual. It was very easy to forget that the main characters were supposed to be supernaturals. Or that there was supposed to be something else going on besides two adults behaving like hormonal teenagers around each other, unable to express their thoughts and feelings. And the ‘mysterious disappearances’ were hardly mentioned until the very end of the book. While some of the writing and dialogs were fun, the ‘they’re going to speak or have sex once a month and that’s all the story we’ll get’ format made me feel increasingly detached half way through, especially from the heroine (who mostly bit the insides of her cheeks at least once each chapter, if not page).
I don’t know, I feel that there were some very good elements, but they are not really tied together in an engaging way. Maybe timeline-hopping kind of stories is just generally not my thing. I also generally don’t like characters (and people) who can’t be honest to themselves, it’s tiring.

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A Werewolf in Manhattan by Vicki Lewis Thompson

A Werewolf in Manhattan (Wild About You, #1)

A Werewolf in Manhattan by Vicki Lewis Thompson

My rating: 3 of 5 stars

What can be more self-indulgent than a werewolf romance writer writing about a werewolf romance writer getting it on with a (hot, rich, super smart, practically a prince) werewolf?
Normally, I have a giant soft spot for self-indulgent novels.
I can even live (though not for long) with the whole ‘(reluctant) cinderella’ concept (as old and stupid as it is), where a woman suddenly needs to be introduced to all the riches and luxuries by some kind of protective prince charming, but she’s also going to bitch about it on every step. And with the overly-fantastical romance scenes. They do give me a toothache, but I can live with them as long as the book doesn’t take itself too seriously and there’s enough humor to cover it up.
So normally I would’ve given this kind of book a higher rating, if there wasn’t one substantial problem… of the main character turning from ‘egoistically stubborn’ to ‘utterly idiotic’ towards the end of the book. The whole ‘Werewolves are very much against being discovered by public. But I’m a writer so I’m going to remember every detail about their lives and write about it’ and ‘Now that I saw the real thing I will only want to write exactly how it is and you can’t censor me!’ <- is one of the stupidest ideas I’ve ever read. She’s a fantasy romance writer for fluff’s sake, not a documentary journalist. The ‘I will write the reality and present is as fiction’ attitude is no better than plagiarism, it’s like saying ‘I don’t want to use my imagination anymore if I can just observe and describe you and then tell people I made it up’ and as a representation of a fantasy writer is frankly nothing but insulting. And then there’s also ‘oh, they took my laptop so I’m going to snoop around people’s private offices until I find it because I’m the most important one here!’ Seriously though, I know how it is to be hysterically protective of your writing laptop, but unless there was a valid possibility that people were going to go through it or destroy it before they could be stopped (which was not the case in the book), there’s no way any human being with a brain would’ve handled the situation the way the main character did.
Nothing turns me off and away from a book as characters who make me scream ‘why in hell do you need to be so stupid??!!’ in my head…
Also, on my quest of combing through all sorts of ‘comfort literature’, I’m getting increasingly sick and tired of the representation of heroines that makes you pity the heroes for having to put up with all the selfishness and blindness to everything but themselves…

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