Ah, at last, a novel of the series I enjoyed almost as much as The Duke and I. While the developments were very easy to guess after the first three novels in the series, they were still very much fun to read. And, well, it’s a book about two writers falling in love.
I find myself very cautious reading this. There is simply too much senseless violence and gore. Their whole world is based on the survival of the strongest and proving it in the cruellest ways possible. Blood, torture, too many innocent victims… Too many triggers at every step. But then there’s also a certain kind of captivating elaborateness that makes me keep reading.
It’s not a big surprise that the biggest factor that keeps me with these books is the main relationship. The kind of love that is longer than forever and strong enough to destroy the world for each other. I usually don’t like books where the relationship is wobbling near the line of using force and other dominance play tendencies, but since they don’t actually cross that line and are striving for a two-way street on most aspects of the relationship, I find myself captivated. Also, the fact that the main character tries to stand against all the cruelty and heartlessness certainly helps.
It’s a very well-written book, with a complex and well-built world, multitude of no less complex and interesting characters, and captivating story. But I find myself constantly waiting for it to cross some line where I won’t be able to follow it… because too much gore and sadism is too much.
A well-written realistic contemporary romance. There are details, imagination, well-built characters, self-deprecating humour. While the writing is above average, the content itself…is 50/50 at best. The main character inspires more pity, than sympathy (although I do believe the book is self-aware of the fact), and definitely a lot of ‘why do you need to be so stupid’ thoughts. She is also a bit too venomous and judgemental towards her surroundings (in a cowardly way), for my comfort. A lot of developments were very predictable, which only made the main character’s bad decisions seem even more stupid. And then, the drama in the end seemed a bit too ‘dragged in by the ears’…as in, too convenient and suddenly very not realistic, compared to the rest of the book. …It is likely, however, that it was necessary because nothing less would ever shake this main character enough to change something. The writing does save this book though, it makes it enjoyable regardless.
Quite possibly one of the most romantic romance stories I’ve read. The main characters are very well-written and engaging. Their interactions have a lot of depth and are truly fascinating to observe. There is something very appealing to me in both of their personalities, some sort ‘rightness’ they both carry and moral rules they both follow. How she says without thinking ‘You’re my husband, if I escape you’ll have to come with me’ and how he ‘rolls with the punches’ and accepts responsibilities for people without thought. They are two very similar people, who have some very similar qualities and dreams, but they are also so similar in their stubbornness that, even though they have the exactly same goal in mind, they simply can’t believe that his/her own way to achieve it is not the only possibly correct one. The way they can’t seem to communicate is very aggravating, but the way they actually feel for each other somehow does make up for it. (Admittedly, I would be tempted to side with Royce more than Nicholaa, because he chooses absolute honesty and logic where she chooses manipulation and pretending instead of working issues through, but they’re definitely worth each other.)
The only real problems I have with this book is the annoying ‘head-hopping’ writing style and the unresolved family issues.
Everything about him at that moment made my internal organs bleed hearts and flowers and puppies and kittens and hot chocolate and hot apple cider and red wine and campfires and Star Trek and yarn—my favorite things.
(It’s so much easier to read these romantic comedies when the female part of your brain doesn’t push you to try to over-identify and empathise with a character just because you identify with some neurological characteristics.)
Yes to the humour, to the tone, to the sarcasm, to the Star Trek Voyager references, to the characters, to the “it has always been you” kind of love. I enjoyed reading this book much more than I expected myself to.
Though, as with the first one, there were also some moments that felt ‘just…no‘… Mainly everything to do with the TV show (including the whole scene in the end). And the fact that the ‘villain’ part, the non-romantic comedy part of the world, felt too half-baked.
If not for the tv show thing, Nico’s character could really be that perfect kind of romance hero. I really don’t get this part of this book and the insistence on trying to make something trashy and sleazy sound like it’s not.
So much teenage idiocy… I have a mixed feeling about this book, because, on one hand it seems that there is a passable fantasy-suspense story plot lurking on the background, and the main character is not too terrible (she even seems to use her head…sometimes…more so in the beginning, than towards the end), but the rest of it… Characters, without exception, are either just creepy (or creepy and disturbing) or mostly faceless. This book reminded me of that ‘find the main character’ meme where people make fun of anime by showing a picture with a room full of identical characters with brown-black hair and hardly any facial features drawn, and among them a single character with pink hair and detailed expression. This is exactly how his book feels, with the exception that when a character has a face or a name they will be creepy as hell… Or, all males will be creepy and disturbing in a dangerous way, and all females creepy and preoccupied with sex (including the 70yo housekeeper). There are no classmates except for the creepy stalker boys and one vain venomous cheerleader. There are hardly any teachers other than the Coach “teaching biology” by talking about sex, and “councillor” who is even worse. People in the shops and restaurants are creepy. Police are creepy. (The mother maybe the only exception, but she is also absent most of the time.) It would’ve actually maid so much more sense if the “twist” of this book was that all this time we were reading an account of a mentally unstable (paranoid and delusional) person (who understandably lost her marbles after her father was murdered), and that was the reason why every person who came into focus in her POV acted suspicious and disturbing, and why so much weird shit was happening around her. The explanation “it was all in her head” would’ve maid this a much better written book. Because when it’s not in her head, the “tunnel vision” and “one colour” world building make this into a rather weakly written fantasy book.
Then there’s the problem of the ‘best friend’ of the ‘who needs enemies with friends like this’ variety, (a.k.a. the reason for all problem situations in the book) where you want to strangle this ‘positive character’ more than all the creepy negative characters in the book. Literally the worst character in the whole book, by far. And I don’t comprehend her existence.
Things are kind of happening, but it actually feels like they are not, because we are not getting any closer to the answer to the “what the hell is going on” questions for at least for 250-80 pages, and things of repetitive nature (Someone got hurt. Did boy A or boy B do it? Is something supernatural going on or am I loosing my mind?) keep happening on the sidelines, keep raising the exactly same questions over and over, but giving absolutely no answers.
The ending was actually better than I expected it to be, but I wish we didn’t suddenly devolve into romance, just like that, after a whole book of unhealthy and not-okay behaviour.
Pretty much in tone with the first book, but slightly lower on the humor count, and slightly higher on the ‘aggravating females’ count (a whole flock of them). If I was in a bit more irritable mood when I read this book it is entirely possible I would be going on a rant about how much I dislike these types of people who think they ‘always know better’ and have a right to interfere with and manipulate others’ lives (friends, relatives, etc.) The whole ‘refusing to realise your own feelings’ concept is also a bit too much of a tired cliche at this point, imho. Other than that, I enjoyed this book because it’s light, fun, has well-developed characters, and reads smooth and easy. Even when there’s some concept I don’t really like, it doesn’t really ever get truly irritating.
I have a strong feeling I would probably have loooved this book if I read it in my early teens. In fact, I wish I had read it when I was 12-14. You know, somewhere around the hormonal times where thoughts like ‘why do they try to force me into their standards and act like I have to choose between acting ‘womanly’ or being a lesbian and can’t just be as I am?!’ and ‘am I the strange one or is everyone else?!’ were the biggest hit. (Well, unfortunately, they are still pretty relevant, just very much old and tired news by now.) By page 150 I could almost imagine myself being 13 again while reading it.
So, if I was 13, I would likely be very happy to read something to empathise with like this, and I would probably also be very happy about the number of ‘lessons’ this book tries to present. How it goes through every teaching and training detail and explains why. I probably also wouldn’t have minded as much the way it chews on every detail too…but as I am now, I kind of do. Over-explaining is the world. The writing mostly feels like a meal that was pre-chewed for you so you wouldn’t have to do much chewing yourself. Much of this book feels not like a ‘tale’ but like a ‘reference manual’…with strong feminist inclination. It spends entirely too much time teaching reader how to think (by explaining how people think and feel, and why, in detail at every step).
It’s also full of details that certain kind of teenage girls would feel very strongly about. The herds of too-smart horses and bit-less bridles. The telepathic wolves. The main character who can be a saint (strong morals, strong feelings about fighting fair), stubborn as a mule, and also smarter than most people around (can run a household, natural with horse-training and riding, natural with fighting, natural with strategy and leading others, etc.) A girl who is there to prove that she can be a better boy than a boy and still be an attractive girl. Including all the emotional stuntedness.
In fact it was that emotional stuntedness prevented me from actually empathising with the main characters herself. While this book encompasses decades of her life, she doesn’t really seem to change or grow up. Kero learns skills, but she hardly feels different in the end of the book compared to how she was in the very beginning. Personally, I feel that she was missing a certain kind of emotional maturity throughout the whole book.
To sum up… As I think the teenage girl I used to be would give this book 5 golden stars, and the adult me, who was honestly bored by the repetitive and slow prose and had to keep myself from cringing at times, would probably give 3, I have taken the golden middle.
For the love of all bookish I don’t understand why are these books so popular. The only reason I went there (commenting on a book’s popularity) is because it was due to this book showing up in all kinds of ‘best’ lists while having a high rating that likely made me order it by mistake, without realizing that when I last tried to read a book by this author I DNFed after first few chapters.
I did not get much further with this one either. Made it 100 pages in, hoping to catch a glimpse of a reason so many people’ve read this, but decided not to torture myself any further.
Everything about this is awfully cheesy, trashy, and confusing. With all the head hopping on top. With all the time and word count spent talking about how hot and sexy everyone is and how much trouble they have being hard for each other all the time of course we can’t spend enough time to actually describe the world around us so that it would make some sense. Ah, but we also have time to mention rape and child murders and abuse, to add to ‘badass’ factor. But making sense of how planets, ships, stations, space travel work in this world? Not nearly important enough than all the sexiness.
In this book, the setting ‘implied’ and one actually presented never seem to match. The ‘deadly assassins’ hardly act the part. The main male character is a disaster… Little example: he hides his eyes. Not because they are some strange alien product of his mixed heritage, or because of some gruesome battle scars. But because they’re normal human green eyes that ‘show his beautiful soul’. He lives with a bunch of cats. He walks constantly hard when he is around the female main character. Really. The image of mysterious and aloof deadly assassin, don’t you understand?
The female main character… Her thought pattern is well described by this: ‘You saved me from assassins and are here to guard me because there’s a huge price on my head? You even put shields on my windows so that they wouldn’t shoot my head off? How dare you! You’re fired! Get out of my home!’
I rarely do this, but I’d like to pick up at the few more moments that made me want to bang my head against the nearest wall from the very beginning of the book: FMC – kidnapped, almost raped, beaten, chained in the middle of compost pile on a ship that was just went through hostile take over. Sees a new person coming for her:
‘Kiara was amazed by the handsomeness of his face.’ 3 seconds later ‘For some reason she couldn’t fathom, she believed him (that he wouldn’t hurt her)
‘And she had to admit there was nothing hotter than a man with that kind of honed physique whose face was totally hidden.
I’m sorry. What? Is this some kind of ‘keep a bag over your face’ kink? Just…what?
MMC – Professional assassin, one of the best out there, built up to be this powerful, mysterious, cold man with dark past and iron moral principles. First time we get his POV:
‘His body was so hard it was all he could do not to limp. And to think, he’d mistakenly believed he’d survived real torture in the past.’
Really? He carried a beaten woman out of space trash can where they just killed a few people, and all he can think is that her small breasts in the torn and dirty nightgown are torturing him more that years of child abuse and murder and outrunning a league of professional assassins? REALLY? In what dimension are we supposed to find this romantic or even okay?
Another classy thought from the main character after she wakes up in a strange place and still thinks she might be held captive:
‘Tall and lean, he was the sexiest thing she’d ever seen in her entire life, and given the hot pieces of cheese employed by her dance company, that said a lot.’
Am I the only one who has problem with writing like this? Really?
I must say I was a little surprised no actually enjoy this book, partially because I was expecting another cheesy oversexualised super-hot-vampire-and-damsel-in-distress ‘female fantasy’ kind of story, and partially because I kind of hated “Halfway to the Grave“. (Though I didn’t even realise this was by the same author and belonged to the same universe until I was already reading.)
This book has an interesting heroine, who is neither the ‘innocent saint’ nor the ‘sassy bitch in miniskirt’ type of the usual vampire novel heroine, and this is one of the things I like about this book the most. She doesn’t lie to herself much, she deals with the shit that falls on her, she does what she needs to. Also, I have a tendency to prefer characters who maybe a little too fearless in a way that they stand up for the things they believe in, even in the circumstances where normal human instinct would tell them not to dig their own grave. She also has morals. I haven’t read any “Night Huntress” books after DNFing the first one, so this feels like an impressive improvement from a clueless-serial-killer(psycho)-playing-at-dress-up type of main character I saw there. I did, however, see the similar love for unnecessary over-the-top violence and torture. Not a fan. Especially because of the fact that its senselessness (unnecessary-ness) is so very glaring. I mean, could you actually explain to me what is the point of all the torture when you 1)can read minds and 2) actually have a person who can touch someone and tell you what they’ve done and where they’ve been better than anyone can torture out? I don’t know if the author is just so in love with all the gore, but it’s nothing but gore for the sake of gore, and we have a main hero and ‘love interest’ who continues to torture other vampires with no reasonable justification. Now, speaking of Vlad, I didn’t actually mind that this is another book about the Vlad. Though I do suppose it is a bit of a tired idea. What I did mind is the fact that it feels like the only aspect in which the fact that Vlad is a centuries old vampire is in any way reflected is his tendency for violent resolutions of everything. I can’t really explain what exactly I’m expecting to see, but I think that the fact that these ‘people’ have been around for a very long time and have ‘seen it all’ should have been made a little more believable. This Vlad only reads like some sort of modern businessmen, just an abnormally bloodthirsty one.
Also, I hate when people translate Voivode (Wojewoda) as ‘prince’, or use them as synonyms. That’s not what it means at all. Yes, you can be both, but inherent meanings in the titles are very different.
Character-focused Sci-fi action thriller about fierce love and humanity
This book gets better as you go. I have a feeling I was tilting my head at some of the world details in the beginning, but now I can’t even remember what they were. While this sci-fi world isn’t one of more diverse/detailed/comprehensive out there, I think it’s developed enough for the scope of this book. It feels solid, and, more importantly, interconnected with its very real and complex characters. I feel that this is mostly a character-focused story, with ‘bigger’, more important and terrifying, issues constantly present, but slightly further on the background; while the interactions and inner turmoils of the characters are more vivid and are always in the centre of the focus. I don’t mind it, and I liked a lot of things about these characters and developments between them. And I don’t mean only the main characters and the romance, but all positive and negative (or neutral) side characters they meet—none of them feel faceless or bleak, and they don’t just act in predictable one-pattern ways.
I can’t say this book didn’t keep me constantly waiting for the other shoe to drop. (Not a feeling I enjoy…) What I do find unfortunate is that it was only partially related to worrying about ‘what would happen’ and more heavily related to ‘how the main character is going to react’ to something that wasn’t difficult to predict to happen. I must say, while a lot of the emotions and questions in this story spoke to me closely, there were times where I wished the main character would use her head a bit more (read between the lines better, make better arguments that for me felt very obvious), and not create more angst that was necessary.
(and say something like “I can promise you to accept without asking questions. But do consider this argument – saying that you’re afraid I will hate you if I know everything kind of feels you don’t trust me to love you at all.” and “The fear I sense when I imagine you see all of my thought is the same one that drives you to hide yourself from me. I’m afraid you will see something that will hurt you or will make you walk away. You don’t need to be a winged demon to think yourself ugly.)
Overall, other than getting a bit more of an adrenaline boost that I needed right now, this was a very enjoyable read and I can’t find many faults with this book.
I could almost like this book. In the beginning. It had a promising beginning—making me think it would be more of a ‘romantic story of a pair who had a mutual crush on each other for 15 years, reunited as adults (who each have been through their own hell) against the backdrop of a thriller of a crime fighting operation featuring stolen fossils, car chases, and gun fights ‘. Which this book almost was…but wasn’t. … And so, firstly, I’m not made to read ‘romance’-type books without questioning reality of some details. Like having sex on the top of an overheated running car (so many things wrong with the whole scene), or choosing to drive the flashiest car while trying to lay low and hiding from mobsters, or kissing with having whole face painted, or the need for every positive male character (below the age of 70) to be hotter than sun, and the insistence that all women must like the car in red and hot pink (gag). Secondly… Nikki. Oh how I wish we could just cut out the whole Nikki part and have the book without it. It’s both the character—psychopathic (voyeurism, violating other people through her cameras and ‘art’ without even thought about requiring a permission; no concept of propriety and personal integrity, or personal boundaries) egocentric, idiotic—and the whole ‘romance’ scene. Especially the ending. I kind of wish Kid would’ve just knocked her out, gagged her, and delivered her where she needed to go in the trunk and never let her open her mouth. (Because, yes, yes, when an armed military man who came to protect you from bad people with guns tells you you need to leave now, let’s go looking for the cherry lip gloss in the bathroom, let’s also question his every request five times over, and then let’s freak out.) Yes, I’m sorry, I dislike this character so much I actually got all riled up. Her behaviour sort of represents everything I hate in female romance characters—close-mindedness, false sense of self-importance, inability to listen or feel others….and so many more disturbing qualities. Why did we need a character like this? There shouldn’t have been any ‘romance’ involving Nikki. (On top of which, the whole scene was repetitive and not well-written at all.) And then, the circumstances of Kid’s leaving and her reaction to it… Brrr (shivers of pure disgust). The whole book would be so much better off without this whole part. Regan by herself might have been okay-ish (not perfect, but tolerable), but Nikki brings the level of that specific female-type idiocy so much over the top it ruins the impression of the whole book. Which is a shame.
Thirdly, the mess of the ending…with one stupid detail on top of another, one stupid dialog line on top of another, idiotic behaviour, pretty badly written ‘bad guys’ who just can’t wait to tell everyone what they do and how… Nope. Did not work for me at all.
I think the first part of the book was okay. Maybe even good. But then when we reached closer to the middle with whole unrealistic unhygienic car scenes and Nikki, the whole book just went down the drain.
I don’t think I’ve ever became sceptical of a book as fast as with this one. Simply because, in the very first tiny paragraph, of all the possible synonyms, the author chose to use the word ‘tits’ in a sentence that only talks about spilling scalding liquid over them. I mean, there’s such thing as TPO for words, and even something like ‘bazoombas’ would be better if you’re going for style or humour…as it is it’s just vulgar. (I think there was once a book I dropped even faster, it had something like 6 f-words on the very first, but didn’t as much get sceptical as closed that book and forgot what it was) Anyhow, that first paragraph sort of represents the quality of writing, and the quality of writing sort of matches everything about this book – mleh. It’s not bad, but it’s not good. It’s half-baked, average, confused, full of story elements jumping out of nowhere and going nowhere, a lot of ‘wait. and?’ moments, with a heroine that cries about being strong and independent for the fist half, then turning 180 degrees for the other and being mostly a helpless coward, the resolution for the ‘mystery’ is half silly and cheesy, half not even there. Just a short silly book that doesn’t require you to use your brain, to read and forget.
The good: the ridiculous humor, the tone, the dialogues, the adventure, and the characters (Colin with his impostor syndrome, tendency to punish himself, and love to spin fantastic tales; Min with her determination, attentiveness to weirdest things, and freedom) . The bad: the cover (oh, Avon, please do stop spoiling your books with tasteless covers), the slight overload of the ‘head in the sand’ behavior, where people keep doing things without letting themselves acknowledge what are they doing and why. This book might also take a ‘lighter’ approach to its setting then some others, but I wouldn’t say that it suffers for it, only perhaps requires a less pedantic mind to really enjoy.