Sometimes I just feel like shit for speaking. It doesn’t matter what I say or to whom, I just feel like shit after every time I have opened my mouth to talk to someone. And then I start looking for some way to shut myself away to stop myself from wanting to communicate. Very healthy working attitude.

The point is, that even on those shittier of days of mine, the image that still carries me through those shittier days is the one of me finally holding at least one of my finished books in my hands. And it’s not about whether people are actually going to read it, or whether I’m going to try to get it published in the traditional way or put some money away and work out how self-publishing works. It’s about making it solid, and putting it in right words that will paint the right images and connect into that story that I’m trying to tell. And that voice in my head that keeps telling me that I will never able to do it because I’m broken in the head and can’t even connect words in sentences properly (unless it’s an angsty blog post) can just go and… suck on something nasty.

When I finally find the right words and manage connect them in the right way for the story, reading them back, feeling the tiny parts of it really come alive, makes me feel like home.

Which always reminds me of the Alfred Kazin quote.


“One writes to make home for oneself, on paper.”

For someone who doesn’t really have anything else that feels like home, this is sort of important.

On my shittier days I can’t help but think about how, logically speaking, my specific Asperger’s likely makes writing not a thing I should be really focusing on.
I feel words a little differently from most people. I see them in specific pictures, colours, and tastes, I also often lose track of what they really mean, making up meanings and uses of my own. Sometimes it means that typos and mistranslations are the funniest things possible for me in the world, because of the pictures they make up, and sometimes it means that I think that “cooked a brow” is a thing, think “door” and write “tree”, and can’t stop thinking Singapore must be a hardly inhabitable country somewhere very cold, and that Eskimo live there (and it doesn’t matter that I know exactly where Singapore is and even had friends from there, my brain will still paint a Siberian scenery every time I say the word, since I was a child.) 
I’ve lost count of how many times I had to edit out logically impossible sentences, and, unfortunately, the important part is not that I manage to find them at some point, but the part where it takes me years and dozens of checks until I actually do realize that something is wrong with the way I described things.
It terrifies me how ironic it is that I actually work editing and proofreading things every day, when I’m like this. But, apparently, I’m pretty good at catching logical inconsistencies within other people’s writing, while I can’t notice them at all when I write them myself. 
I really struggle with putting things I see in words, and then I struggle all over again with re-arranging them into words that make sense to someone other than myself.
But the thing is, for some reason, I really need writing to be the thing for me. And I felt this way ever since I first begun reading. I started writing my first story when I was 8 or 9. I asked my parents for a typewriter, and they gave me Windows95. But when I first typed out the first chapter of my story, the people I was learning how to read good books from, read it without my permission and laughed so hard at the way I was using my words, quoting the ridiculous parts out loud, that I dropped any ideas of writing things. Because they were still quoting that stuff to me for years, and I felt hurt. And also because I understood that even though they were laughing, I still couldn’t see what was wrong with it at all, and it scared me. So I decided that I will be content enough with making up stories only inside of my head and writing only some things down in my diaries, because my handwriting is indecipherable anyway. I do wish I didn’t waste all those years now, but apparently learning to not hurt when people reject and dismiss the things that are important to you takes a lot of time. Or at least to hurt less and learn how to move on and try again.

I tell myself that I still can be optimistic and try to believe that I can do it. That I’ll just have to find a very patient person to ask to be my editor and comb through my my words to make sure I’m saying what I think I’m saying. But I still feel like an idiot stubbornly trying to swim against the current in the wrong river on most days.

I never quite learned how people communicate with each other on personal topics correctly.
When I’m trying to do the ‘I’m going to be polite and not pry into your personal life if you don’t want to tell me, but I’m open to listen to whatever if you do’, 
I somehow always end up in ‘I can know people for about ten years and meet semi-regularly, but have no idea what so ever about anything personal (even things like marital status sometimes, yes, I’m that awkward), and get very surprised when I hear or see something from a third source, but then pretend like I didn’t notice anything, because I feel it would be rude to act like I know things they didn’t tell me themselves’.

My Lady Mage by Alexis Morgan

My Lady Mage (Warriors of the Mist, #1)

My Lady Mage by Alexis Morgan

My rating: 3 of 5 stars


Remarkably simple fantasy romance with knights, horses, animal companions, disgusting villains, and mleh ending

I couldn’t stop thinking that this book held striking resemblance to something I would write when I was about 13-15 y.o. It ticked all those points – a heroine with magic power related to horses, a handsome knight on a black horse, an instant romance with the aforementioned knight, a group of overly protective and honorable warriors with animal companions, etc.
Unfortunately though, the villains in this book were a bit too villain-y and disgusting in the beginning, and then were thrown away in a mangled and abrupt ending in a rather disappointing way. For an ending like this, I really don’t see a point for building up the resentment towards them as much as it was built up.
Another point would be that the heroine could do with a bit more brains (as usual). I literally couldn’t stand the way she behaved and acted in last few chapters.
I think, that even for a silly fairy tale (with sex) for girls this book had some promise, until about 70% in, when it suddenly flew off the hinges and the plot was washed down the toilet.



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